{"id":53,"date":"2015-08-21T14:13:05","date_gmt":"2015-08-21T06:13:05","guid":{"rendered":"http:\/\/brack.sg\/?page_id=53"},"modified":"2022-10-13T00:48:55","modified_gmt":"2022-10-12T16:48:55","slug":"brackmag","status":"publish","type":"page","link":"https:\/\/www.brack.sg\/index.php\/brackmag\/","title":{"rendered":"BrackMag"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4><strong><i>BrackMag<\/i> is a publication that brings together art, audience, and context, into a valuable resource for anyone \u2013 artists, researchers, community workers \u2013 interested in art and its role in social interrelationships.<\/strong><\/h4>\n<h4><strong><span style=\"font-size: inherit;\">We have published four <i>BrackMag <\/i>issues to date. They are digital only and downloadable as PDF files, unless otherwise stated. We welcome written submissions and are open to publication partnerships. If you are interested in joining the conversation, do <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"mailto:hey@brack.sg\">be in touch<\/a><\/span>.<\/span><\/strong><\/h4>\n<h4><strong>All orders are accepted via\u00a0<a href=\"mailto:heybrack@gmail.com\">email.<\/a><\/strong><\/h4>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"960\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag4.png\" alt=\"\" class=\"wp-image-3049\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag4.png 739w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag4-231x300.png 231w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Brackmag Issue 4: <em>The Energy Issue<\/em><\/strong><\/h3>\n\n\n\n<p><strong>S<\/strong>$<strong>10.90 <\/strong><\/p>\n\n\n\n<p>Edited by Melanie Chua and Kei Franklin.<\/p>\n\n\n\n<p>Brack Editors turn their gaze toward the future \u2013 as imagined by a participative, creative public emergent in socially engaged art. This issue explores selected artistic projects committed to generative and regenerative environmental practices in community across Asia. These essays follow a two-year endeavour of #BrackChats asking the central question \u201cWhat sustains us?\u201d, with art and cultural practitioners: Bellini Yu, Daisuke Takeya, Izzaty Ishak, Kok Heng Leun, Zikri Rahman, Michelle Lai, Faiz bin Zohri, Natalia Ludmila, Fung Lee, Chu Hao Pei, and Meridel Rubinstein. The conversations and in-depth articles explore new and emerging developments in ASEAN in socially engaged, public participative and community art, and consider environmental structures that, as we barrel ahead, are falling apart.<\/p>\n\n\n\n<p>This issue is digital only. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"960\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag2.png\" alt=\"\" class=\"wp-image-3054\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag2.png 767w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag2-240x300.png 240w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Brackmag Issue 2 <em>Unseen: Conversations from across the Constellations<\/em><\/strong><\/h3>\n\n\n\n<p><strong>S$20<\/strong><\/p>\n\n\n\n<p>Edited by Nasri Shah<\/p>\n\n\n\n<p>How do we see dreams, hopes, and one another? Or do we find that the \u201cconstellation\u201d discernible only in retrospect? Seven visually impaired youths in Singapore encounter these and more with artist Alecia Neo as they explores self-identity and dreams in a collaborative art project. This issue coalesces the dramatic relationships, conversations, debates, and experiences around the two-year-long project that is <em>Unseen: Constellations <\/em>through personal accounts and perspectives, including: Justin Lee\u2019s post-conversation circle commentary on sustainability, Qian Wenyi and Megan Miao\u2019s allude to image-making, Jay Koh points out the axes of power in its \u201cparticipation\u201d, while Seet Yun Teng and Mok Cui Yin offer different ways of imaging the production of <em>Unseen: Constellations<\/em> and Unseen: Shift Lab respectively.<\/p>\n\n\n\n<p>This issue is a collaboration with Unseen and is available in both print and digital copies. The digital version contains extended essays by Dr Jay Koh and Mok Cui Yin.&nbsp;<\/p>\n\n\n\n<p>Kindly request for your complimentary print book available upon purchase of digital version via email: heybrack@gmail.com<\/p>\n\n\n\n<p>Print Softcover, perfect bind 20 cm x 17.5 cm, 106pp<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-C.jpeg\" alt=\"\" class=\"wp-image-3053\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-C.jpeg 960w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-C-300x200.jpeg 300w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-C-768x512.jpeg 768w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-C-360x240.jpeg 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-B.jpeg\" alt=\"\" class=\"wp-image-3056\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-B.jpeg 960w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-B-300x225.jpeg 300w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag-2-B-768x576.jpeg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"960\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/brackmag3.png\" alt=\"\" class=\"wp-image-3055\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/brackmag3.png 715w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/brackmag3-223x300.png 223w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Brackmag Issue 3: <em>This Is Home<\/em><\/strong><\/h3>\n\n\n\n<p><strong>S$5.90<\/strong><\/p>\n\n\n\n<p>Edited by Nazry Bahrawi<\/p>\n\n\n\n<p>What does it mean to own a home in Singapore \u2014 a country younger than so many of its citizens? In the case of 99-year leaseholds, whither so-called \u2018home ownership\u2019? At the heart of the cultural mapping project by Matt3r asks the question \u201cWhat is home?\u201d in one of Singapore\u2019s oldest HDB estates, Queenstown.The collection of articles and stories reflects on the themes explored in the artworks, including: Loo Ching Ling\u2019s rumination on routines of a HDB dweller; Bestlyn Loo discusses the liminality of the corridor; Emma Goh\u2019s fictional piece matches the \u201cmixture of abstract and realistic arrangements\u201d in both artists Ng Hui Hsien\u2019s Sands and Sufian Samsiyar\u2019s The Imaginary World of Tanglin Halt; and He Liwei\u2019s footnotes from a stranger\u2019s notebook. Issue Editor Nazry Bahrawi considers Singapore vis-\u00e0-vis Penang. From further afield, Melinda Lauw explores (such a lack of) space via the Fung Wah Biennial in New York. It also captures candid conversations with Brack\u2019s artist-in-residence Nuria, who\u2019d travelled 14,000km from Spain into the heart of Queenstown, and local resident Alice Lee. <\/p>\n\n\n\n<p>This issue is a collaboration with Matt3r.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"960\" src=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag1.png\" alt=\"\" class=\"wp-image-3051\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag1.png 729w, https:\/\/www.brack.sg\/wp-content\/uploads\/2022\/10\/Brackmag1-228x300.png 228w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Brackmag Issue 1<\/strong><\/h3>\n\n\n\n<p><strong>S$5.90<\/strong><\/p>\n\n\n\n<p>Edited by Melanie Chua, in it are the highlights of the Artist-Writer Pair Series that launched the #BrackGathering of socially engaged art across Southeast Asia. These long features are an accompaniment to the #BrackChats that have been compiled online over the past year, including with: Made Bayak, \u7d00\u7d10\u7d04 Kai-Yuan Chi, Leone Contini, ETC (Enterprise of Temporary Consensus), Matthew Mazzotta, Im Heung-Soon, and Michael Tan.<\/p>\n\n\n\n<p>This issue is digital only. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Support our work<\/h2>\n\n\n\n<p>BrackMag is editorially independent and our BrackChat conversations provide a platform for discourse of arts, culture, and society. We don\u2019t just write about or do art; we\u2019re interested in how it can address an issue of importance and create a significant space for individual and collective agency. These conversations take hours to research, organise, conduct, transcribe, and edit into issues. <\/p>\n\n\n\n<p><strong>Support us in this endeavour with a bundle purchase of BrackMag (Issues 1-4) for $$30.<\/strong><\/p>\n\n\n\n<p><strong>Contact: <a href=\"mailto:heybrack@gmail.com\">heybrack@gmail.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BrackMag is a publication that brings together art, audience, and context, into a valuable resource for anyone \u2013 artists, researchers, community workers \u2013 interested in art and its role in social interrelationships. We have published four BrackMag issues to date. They are digital only and downloadable as PDF files, unless otherwise stated. We welcome written [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3053,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-53","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":24,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":3065,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/pages\/53\/revisions\/3065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media\/3053"}],"wp:attachment":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}