{"id":103,"date":"2015-08-01T20:48:19","date_gmt":"2015-08-01T12:48:19","guid":{"rendered":"http:\/\/brack.sg\/?p=103"},"modified":"2019-08-29T15:23:46","modified_gmt":"2019-08-29T07:23:46","slug":"im-heung-soon","status":"publish","type":"post","link":"https:\/\/www.brack.sg\/index.php\/2015\/08\/01\/im-heung-soon\/","title":{"rendered":"Im Heung-Soon"},"content":{"rendered":"

\"imheungsoonedited\"<\/a>Im Heung-Soon<\/strong><\/h3>\n

South Korea <\/strong><\/h3>\n

Video, installation<\/strong><\/h3>\n

Selected Exhibitions\/ Projects <\/strong><\/h3>\n

Geumcheon Mrs. Project, 2010 \u2013 2012<\/em>
\nPublic Art Itda, 2007 \u2013 2010 Seongnam<\/em>
\nPublic Art Project, 2006 \u2013 2007<\/em>
\nMixrice, 2002 \u2013 2005<\/em>
\nSeongnam Project, 1998 \u2013 1999<\/em><\/p>\n

Im Heung-Soon’s art practice has focused on the issues around socially marginalised populations found in the accounts of individual and communal history. Works such as \u201cSeongnam Project,\u201d \u201cDapsimni project\u201d and \u201cMixrice\u201d explore the sociopolitical geography in the realities of urban development and class structure in Seoul. He has formed and participated in many collectives such as Mixrice and Public Art, ITDA, and organised workshops and performances for the marginalized communities. He works closely with activists and human rights organisations on researching for issues involving immigrant workers, Vietnam War veterans in Korea.<\/p>\n

One of his projects that examines the April 3rd Massacre of Jeju Island, which wiped out thousands of lives on the island and surfaced South Korea\u2019s complex and fraught relationship to the past.<\/p>\n

http:\/\/www.imheungsoon.com<\/span><\/a><\/p>\n

\n
Read more about Im Heung-Soon<\/span> in BrackMag Issue 1<\/span><\/a>.<\/h5>\n","protected":false},"excerpt":{"rendered":"

Im Heung-Soon South Korea Video, installation Selected Exhibitions\/ Projects Geumcheon Mrs. Project, 2010 \u2013 2012 Public Art Itda, 2007 \u2013 2010 Seongnam Public Art Project, 2006 \u2013 2007 Mixrice, 2002 \u2013 2005 Seongnam Project, 1998 \u2013 1999 Im Heung-Soon’s art practice has focused on the issues around socially marginalised populations found in the accounts of […]<\/p>\n","protected":false},"author":1,"featured_media":111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[28],"tags":[35,42],"class_list":["post-103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platform","tag-installation","tag-video"],"_links":{"self":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/comments?post=103"}],"version-history":[{"count":11,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/103\/revisions"}],"predecessor-version":[{"id":1896,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/103\/revisions\/1896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media\/111"}],"wp:attachment":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media?parent=103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/categories?post=103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/tags?post=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}