{"id":177,"date":"2015-04-01T22:04:18","date_gmt":"2015-04-01T14:04:18","guid":{"rendered":"http:\/\/brack.sg\/?p=177"},"modified":"2019-08-29T21:55:54","modified_gmt":"2019-08-29T13:55:54","slug":"arjuna-neuman","status":"publish","type":"post","link":"https:\/\/www.brack.sg\/index.php\/2015\/04\/01\/arjuna-neuman\/","title":{"rendered":"Arjuna Neuman"},"content":{"rendered":"<h3><strong>Arjuna Neuman<a href=\"http:\/\/brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-313 alignleft\" src=\"http:\/\/brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited-300x300.jpg\" alt=\"Arjuna-Neuman-profiledited\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited-300x300.jpg 300w, https:\/\/www.brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited-100x100.jpg 100w, https:\/\/www.brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited-150x150.jpg 150w, https:\/\/www.brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited-125x125.jpg 125w, https:\/\/www.brack.sg\/wp-content\/uploads\/2015\/08\/Arjuna-Neuman-profiledited.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><\/h3>\n<h3><strong>USA<\/strong><\/h3>\n<h3><strong>Video, Writing, Installation, and Sound<\/strong><\/h3>\n<h3><strong>Selected Exhibitions\/ Projects<\/strong><\/h3>\n<p><em>Multicultural Dread<\/em>, 2015<br \/>\n<em>In Our Sites<\/em>, 2013<br \/>\n<em>Concord Collective<\/em>, 2011 &#8211; 2014<\/p>\n<p>Arjuna\u2019s work starts with research. Each project examines the connections between subjects and across ideas, sometimes spanning great distances. His work describe reality in a way that belongs loosely to the documentary tradition in this age of the hyper-networked. It also has looked at the interplay between performance, theatre and social documentary \u2013 where a hybrid form of the three allows for a more plastic play with narratives and histories. This often means that the audience is invited to participate in the making of the \u201cdocument\u201d<\/p>\n<p>In 2015, he completed a residency at Centre for Contemporary Art, Singapore, that culminated in <em>Multi-Cultural Dread<\/em>, a discursive rave and UV\/text installation, where the \u201csyncopated rhythm of Jungle produces a musical safe space (slippage) for collective abreaction\u2014a space deliberately sealed up by traditional racial or musical harmony\u201d.<\/p>\n<p>Arjuna Neuman received his Master of Fine Art (2009-20011) from the California Institute of the Arts, Los Angeles, California and a Post Graduate-Certificate in Photography and Media (2007-2008) University of Arts London, Central Saint Martins College, London. He is also Staff Writer at <em>Art Voices<\/em>, <em>LA Canvas<\/em>, <em>Art Fetch<\/em>, <em>LA Art Resources<\/em>.<\/p>\n<p><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"http:\/\/www.arjunaneuman.com\/\">http:\/\/www.arjunaneuman.com\/<\/a><\/span><\/p>\n<hr \/>\n<h5>Arjuna Neuman, with Brack and the Centre of Contemporary Art (CCA), hosted a conversation circle for \u201cMulticultural Dread\u201d, a collaborative event and interactive sonic experience at the Art After Dark party at Gillman Barracks.<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Arjuna Neuman USA Video, Writing, Installation, and Sound Selected Exhibitions\/ Projects Multicultural Dread, 2015 In Our Sites, 2013 Concord Collective, 2011 &#8211; 2014 Arjuna\u2019s work starts with research. Each project examines the connections between subjects and across ideas, sometimes spanning great distances. His work describe reality in a way that belongs loosely to the documentary [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":258,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[28],"tags":[35,40,42,43],"class_list":["post-177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platform","tag-installation","tag-sound","tag-video","tag-writing"],"_links":{"self":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/comments?post=177"}],"version-history":[{"count":4,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/177\/revisions"}],"predecessor-version":[{"id":1958,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/posts\/177\/revisions\/1958"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media\/258"}],"wp:attachment":[{"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/media?parent=177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/categories?post=177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brack.sg\/index.php\/wp-json\/wp\/v2\/tags?post=177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}